Both recorded in one take using the Elektron boxes. Some loops recorded in Logic with sounds from Virus C, Supernova II, various soft synths etc.
Great examples of electronic music that I follow and that influence my own music making - ambient electronica and IDM. Plus new releases and videos of my own.
Sunday, 22 February 2015
Tuesday, 3 February 2015
Elektron Analog 4 tutorial #4 - how to do Berlin School sounds
My new tutorial shows how to programme typical "Berlin School" sounds on the Analog 4. Especially useful for those new to the A4 and/or new to synthesis.
Berlin School as defined by Wikipedia: "...a style of electronic music that emerged in the 1970s. Berlin School was so named because most of its early practitioners were based in West Berlin. It was shaped by artists such as Tangerine Dream, Klaus Schulze, and Manuel Gottsching. Innovative Berlin School recordings were a precursor of ambient music."
Berlin School as defined by Wikipedia: "...a style of electronic music that emerged in the 1970s. Berlin School was so named because most of its early practitioners were based in West Berlin. It was shaped by artists such as Tangerine Dream, Klaus Schulze, and Manuel Gottsching. Innovative Berlin School recordings were a precursor of ambient music."
Wednesday, 28 January 2015
Whisper Ship - new Deep House/Berlin School track
New track from Seen From Space. As usual, recorded in one take on Elektron Octatrack and Analog Four. Loops created in Logic Pro 8 with sounds from Supernova II, Access Virus C, Korg MS2000BR and the synths in Logic.
Tuesday, 13 January 2015
56 degrees north - winter slideshow with dubtronica
Recorded in one take on Elektron Octatrack and Analog Four. Loops created in Logic Pro 8 with sounds from Supernova II, Access Virus C and the synths in Logic.
Photos taken in and around Edinburgh, not all this winter.
Photos taken in and around Edinburgh, not all this winter.
Sunday, 11 January 2015
Octatrack + Analog 4 tutorial: How to make them work together
My latest tutorial shows how to set one machine to follow pattern changes on the other. Plus physically connecting them up.
This is something that took me quite a long time to get right, thanks to the sheer complexity of Elektron machines, and some (AHEM!) gaps in the documentation.
This is something that took me quite a long time to get right, thanks to the sheer complexity of Elektron machines, and some (AHEM!) gaps in the documentation.
Wednesday, 7 January 2015
"Berlin School" jam
From the Wikipedia entry: "The Berlin School was a style of electronic music that emerged in the 1970s. An offshoot of Krautrock, Berlin School was so named because most of its early practitioners were based in West Berlin, Germany. It was shaped by artists such as Tangerine Dream, Klaus Schulze, and Manuel Gottsching. Innovative Berlin School recordings were a precursor of ambient music."
I'm using sounds from: Access Virus C, Supernova II, Omnisphere, Korg MS2000BR, and remixed on the Octatrack. The Analog 4 comes into its own in part 2!
I'm using sounds from: Access Virus C, Supernova II, Omnisphere, Korg MS2000BR, and remixed on the Octatrack. The Analog 4 comes into its own in part 2!
Wednesday, 17 December 2014
Elektron Octatrack tutorial 1 - How to work with Scenes
The basics of setting up Scenes in the Octatrack, and then into more creative territory. Of interest to the advanced Elektron person as well as the beginner I hope.
Monday, 8 December 2014
Elektron Analog 4 tutorial 3 - How to make a drone
Number 3 in my series of tutorials: how to create a space drone using the Elektron Analog 4. (Spot the rank exploitation of an innocent cat in the shameless pursuit of Likes.)
Friday, 21 November 2014
Elektron Analog 4 tutorial 2 - Effects
My new tutorial: a quick tour of how effects are used in the Analog 4, and how to make best use of the effects in a mix.
Tuesday, 18 November 2014
The Circle K by Miles Cosmo - progressive drum & bass
Miles Cosmo's music is bursting with ideas and crosses genres like electronica should. This drum & bass track is a great example. It evolves constantly throughout, and ends in a beautiful space with a harp revisiting a synth theme from earlier in the song.
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